Since 2013, Dan has been an associate Lighting Director with Illumination Advocates Inc. providing production rendering and CAD services for multi camera television and live events. Recent productions with Lighting Designer Josh Hutchings include All in- Ricky Martin at the Park Theatre, Las Vegas, games shows such as Lets Make a Deal, $100,000 Pyramid, and Beat the Clock, and live productions such as America’s Got Talent at Radio City Music Hall, AGT Judgment Week NYC 2014, and iL Divo- A Musical Affair at the Marquis Theatre, NYC.
Thru May 24, 2015, Thurs- Sat 8pm, Sun 7PM @ the Matrix Theatre
7657 Melrose Ave. LA, CA 90046- tix at www.piedpipersla.com
- HUFFINGTON POST- ‘Pied Pipers’ Bring Their Lower East Side Idealism to L.A. | Gina Hall
- JOE STRAW- Joe Straw #9: The Pied Pipers of the Lower East Side by Derek Ahonen
- LASPLASH- Piped Piper Theatre Review – Utopian Revisited Or Is It? | Splash Magazines | Los Angeles
- SMASH CUT REVIEWS- Play Review: “The Pied Pipers of the Lower East Side” | Smash Cut
Lighting Design by Terry Enroth & Dan Reed Limited Return Engagement! Six Weeks Only! Jan 18 – Feb 22 at the GREENWAY COURT THEATER 544 N Fairfax Hollywood, CA (Just South of Melrose) CLICK HERE FOR TICKETS $25 | $20 Students/Seniors (WITH ID ONLY)
- LATIMES- Review: ‘The Dead’ at the Greenway Court Theatre
- BROADWAYWORLD- Reviews: Open Fist Theatre Company’s Must-See Musical, James Joyce’s THE DEAD
- CULTURE SPOT LA- Open Fist Theatre Company’s Production of James Joyce’s ‘The Dead’ at the Greenway Court Theatre
- EDGE LOS ANGELES- James Joyce “The Dead”
- LA BITTER LEMONS- THE DEAD (GREENWAY COURT): 100% – SWEET
DIRECTED BY SCOTT PAULIN
Produced by Martha Demson
Nov. 2 – Dec. 15, 2012
A blistering and darkly comedic deconstruction of corporate power in the age of Occupy Wall Street and internet porn by the award-winning playwright and director Guy Zimmerman. One of Los Angeles’ leading theatrical voices, Zimmerman delivers a searing indictment of the current neo-liberal mores in a story involving intrigue after hours in an office in downtown Los Angeles. In return for the CEO position at his LA-based corporation, Bentham offers his daughter to the sinister McGivern. McGivern’s two female cohorts have very different ideas, and the play takes unexpected twists and turns on the way to an explosive denoument.
Schedule- Sunday June 17 2012, 3:30 PM, Tuesday June 19 2012, 6:30 PM, Sunday June 24 2012, 3:30 PM
6209 Santa Monica Blvd., Hollywood, CA 90038 (map) Box Office 323 – 818-823-1008
Ah, to be back in a tent! This was worth getting up at 2:00am for…
It’s not often you get a chance to help light a genuine Ball O’ Death!
Thanks yet again to Frank Olivas for a having me aboard.
I had the unique opportunity to oversee the installation of over 1900 Schnick Schnack B-250 and C-250 LED units provided by VER and distributed by TMB into the precarious new main staircase and lovely new 360˚ balcony rails on Dancing with the Stars. Many thanks to Lighting Designer Simon Miles at VX Inc and Susan Tesh at VER for bringing me on and having me wrap my head around this project, to Jolynn Schmitt, Victor Cruz, Matt Cotter and Mo Duleasis for the smooth install process onsite, and to Melanie Lekaj, Tommy Stephanson and Stephanie Kilburg at TMB for walking the fine line between customs and customer service to pull this off.
And congratulations to James Yarnell on an truly incredible set design…
Performance Dates: July 13- Aug 21
Book by Douglas Crawford and Jason Wooten, Music and Lyrics by Ty Taylor, Directed by Martha Demson
A new rock musical at the Open Fist as part of the First Look Festival Of New Plays
Performances: Saturday July 31at 8pm, Sunday, August 1 at 7pm, Saturday August 14 at 8pm, Thursday August 19 at 8pm, Friday August 20 at 8pm. Sunday, August 1 and August 22 @ 7pm. Matinee performances; Sunday August 15th @ 2pm & Sunday August 22 @ 2pm
StageSceneLA Best of 2009-2010 Outstanding Lighting Design
Directed by Scott Paulin
Produced by Ina Russell, Stephanie Terronez, and Martha Demson, Scenic Design • James Spencer, Costume Design • Christina Wright, Lighting Design • Dan Reed, Sound Design • Peter Carlstedt, Props • Ina Russell & Bruce Dickinson
April 2 – May 15, 2010 Fridays & Saturdays @ 8 pm, Sundays @ 2 pm call (323) 882-6912
by George S. Kaufman and Edna Ferber Directed by Barbara Schofield
Jan. 22 – March 13
Fridays & Saturdays @ 8 pm, Sundays @ 2 pm
Preview Showings Jan. 14, 15, 16 and 17 • $15
Opening Night Friday Jan. 22 • $35 w/ Reception
Pay-What-You-Can Performances Jan. 17, 24 and 31
Tickets Adults $25 | Students & Seniors $20
call (323) 882-6912
LA TImes Review- Theater review: ‘Stage Door’ at Open Fist Theatre | Culture Monster | Los Angeles Times
LA Weekly Review- Stage Raw: Stage Door – Los Angeles Art – Style Council
Backstage.com Review- Stage Door
StageSceneLA Review- Stage Door
StageSceneLA Best of 2009-2010 Outstanding Lighting Design
I am very pleased to announce that I am joining Tribune Production and Frank Olivas and the boys @ KTLA Channel 5 news as a per diem Lighting Director. Duties should include the occasional calls on the morning and evening news and helping Mr. Olivas w/ his CAD & instrument schedules.
Presented by Padua Playwrights Productions at the Stephanie Feury Studio Theatre, 5636 Melrose Ave., L.A. Fri.-Sat. 8 p.m., Sun. 7 p.m. Apr. 14-May 12. (213) 625-1766. http://www.paduaplaywrights.net.
BACK STAGE WEST’s Wenzel Jones raves!
“Had John deGroot not written this engaging peek into a vodka-soaked afternoon in the life of Ernest Hemingway, then actor Adrian Sparks would have had to commission this one-man show elsewhere. Rarely does one witness a performer so completely inhabiting the skin of an historical figure. Hemingway prowls around the living room of his Cuban home railing against emasculating women and spinning out his ongoing romance with death while pouring ever pinker Bloody Marys. Unlike real people, this character becomes more captivating the drunker he gets. The script, constructed from interviews with many who knew the famed author, has both the ring of truth and the thrill of eavesdropping, as the portrait is not altogether flattering. It is never, however, unbelievable.
Sparks is a consummate raconteur as he draws the audience in. . . . The directorial hand is so deftly employed as to be invisible. Martha Demson has obviously not let her actor run wild–that kind of show has a special look all its own–but her vision and that of her actor meld so seamlessly as to cause the audience members to forget we’re watching a performance. By the time the show builds to an almost Homeric conclusion, with thunder crashing and Hemingway letting loose a few lighting bolts of his own, we are utterly in its thrall.”
LA WEEKLY’s Steve Mikulan Recommends!
“Playwright John deGroot’s one-man show, starring Adrian Sparks, displays a Papa Hemingway in full sunset glory as self-mythologist, raconteur and critic of American small-mindedness. . . . Under Martha Demson’s relaxed direction, Sparks’ Hemingway is a brawling, profane and surprisingly likable Hemingway who guides us along an anecdotal safari of his life. Sparks also bears an uncanny resemblance to the novelist, which doesn’t hurt. DeGroot may err a little on the side of laughter (Kenneth Rexroth once said a sure way to earn Hemingway’s lasting spite was “to loan him two bits,” a side of Hemingway that remains unexplored here), but his two-act, 90-minute monologue is a pleasant way to reacquaint ourselves with an American legend – and a hard-drinking male American obsessed with sexual swagger and fears of castration.”
Open Fist, 6209 Santa Monica Blvd., Hollywood
: 8 p.m. Thursdays through Saturdays, 7 p.m. Sundays
Ends: Feb. 18
Price: $15 to $20
Contact: (323) 882-6912, http://www.openfist.org
Running time: 1 hour, 50 minutes
LA Times Review- Hemingway captured, in looks and in form – Los Angeles Times
Play7.com- PAPA | PLAY7
Ovation Award – Best Set Design, Jeff Rack
Ovation Award Nomination – Best Production, PAPA
Ovation Award Nomination – Best Performance by a Leading Actor, Adrian Sparks
Ovation Award Nomination – Best Sound Design, Tim Labor
Ovation Award Nomination – Best Lighting Design, Dan Reed
“A production of considerable beauty. . . . [Director] Smith sustains a gripping harmony of majesty and sardonic wit.” — LA Weekly Recommended!
“Compelling [and] entertaining” — LA Times Recommended!
“incredibly gripping story. . . . This is a powerful play with some very effective scenes–kudos to everyone in the cast for a fine performance.” reviewplays.com
Open Fist Theatre Company is proud to present the West Coast premiere of John Guare’s astonishing tale of the painful yet enduring power of American idealism, LYDIE BREEZE. Hurtling from comedy to tragedy, to satire to melodrama and back again, LYDIE BREEZE tells the gripping story of a disastrously failed utopian commune in late 19th century Nantucket and its aftermath. Years after its scandalous end, the children return to sift through the ashes of their tumultuous past. Aiming to heal the confusion in their lives, they find themselves enmeshed, yet again, in age-old rivalries and buried desires — all the while haunted by memories of the commune’s amorous founder and dominating spirit, Lydie Breeze. Old passions are rekindled, revenges taken and tragedies repeated – never in a way that one expects. (This version of Lydie Breeze is the original play — not the subsequent two-play cycle.)
“Lydie Breeze,” the Open Fist Theatre, 1625 N. La Brea Ave., Hollywood. 8 p.m. Fridays through Saturdays, 7 p.m. Sundays. Ends Dec. 4. $18, Sundays pay what you can. (323) 882-6912. Running time: 2 hours, 20 minutes.
- LA Times Review- Utopia’s not within reach for these folks – Los Angeles Times
- LA Weekly Review- Guare on Breeze – Page 1 – Stage – Los Angeles – LA Weekly
- Play 7.com- Lydie Breeze | PLAY7
L.A. Weekly Nomination – Best Revival Production
A previously anonymous man escapes from prison, kills his parents and embarks on a murderous quest through a labyrinthine metropolis. Who is Roberto Zucco, and why does he kill? While a dysfunctional community tries to ward off the trail of darkness as some demonic external force, the murderer himself, Roberto Zucco, appears to be the least callous, and most honest of them all. Based on the true story of a young Italian man, Roberto Succo, who went on a crime spree while on limited release from a psychiatric hospital.
The playwright, Bernard-Marie Koltes was born in 1948 in eastern France and died of AIDS at the age of 41. Bernard-Marie Koltes, through almost unknown in the U.S., outside of New York, is one of the most frequently produced playwrights in Europe, and considered the heir of Genet and Beckett. The London Times wrote that he was, “a creator of mythology of the underworld, a champion of the underdog and the lone wolf, and a pioneer of a wholly new style of dramatic writing.”
Open Fist Theater Company, 1625 N. La Brea Ave., Hlywd.; Fri.-Sat., 8 p.m.; Sun., 7 p.m.; thru July 17. (323) 882-6912
- LA TIMES: “Director Russell Milton and his hardworking 21-member cast make the theme of society’s preoccupation with violence abundantly clear in a stylish staging for Open Fist Theatre Company . . .”
- LA WEEKLY RECOMMENDED! “bring(s) abundant humor to an episodic series of grimly suspenseful scenes in which the audience is left guessing who will be Zucco’s next victim. . . . Standouts include Kieffer’s hilarious prison guard/police officer, Rebecca Metz’s acerbic madam and Michelle Haner’s wickedly cynical rich lady whom Zucco abducts in the show’s dramatic zenith.”
LA WEEKLY RECOMMENDS! “Martha Demson’s superb direction underscores the Jamesian ambiguity in María Irene Fornés’ period drama . . . [Demson] has an eye for creating gorgeous stage tableaux . . . Dan Reed’s moody lighting deserves special mention.” — Sandra Ross
LA TIMES PRAISES “Demson’s direction is appropriately calm and circumspect, and she creates some marvelously ambiguous, haunting stage pictures with Maureen Weiss and Josh Worth’s set and Dan Reed’s lights. . . . it’s to the credit of Demson and her committed cast, particularly Fox and Blakesley, whose striking mismatch proves to be as strangely moving as it is disorienting.” — Rob Kendt
CURTAINUP.COM RAVES! “. . . chiseled by Fornes into a play full of depths and unexpected byways. . . . Fornes is considered one of the most prominent American avant-garde playwrights. Seeing her turn her hand to a conventional form in a repressive period is of great interest and a testament to her infinite variety. . . . Heather Fox and James Brandon vividly express the pain and confusion of Marion and Michael. . . . Blakesley’s portrait of Juster shows a devastating transition to a man torn by anguish and fury.” — Laura Hitchcock
Open Fist Theatre Company presents the Los Angeles premiere of Maria Irene Fornes’ ABINGDON SQUARE. In turn-of-the-century New York, a grief-stricken girl of 15, recently bereft of her parents, finds comfort and relief in marriage to a man old enough to be her father. As this child becomes a woman, and desire for security turns to a desperate need for sexual fulfillment, what once was a comfort becomes a nightmare for both husband and wife. ABINGDON SQUARE shows us a tender yet frightening examination of the marriage bond.
“Abingdon Square” presented by the Open Fist Theatre, 1625 N. La Brea, Hollywood. Fri.-Sat. 8 p.m., Sun. 7 p.m. Jan. 9-Feb. 14. (323) 882-6912.
L.A. Weekly Award – Best Lighting Design, Dan Reed
L.A. Weekly Nomination – Best Director, Martha Demson
L.A. Weekly Nomination – Leading Female Performer, Heather Fox
LA Weekly Pick of the Week! “. . . directed by Stefan Novinski with a pristine blend of tenderness and humor. The precariousness of memory, a series of ironic coincidences, and phrases occasionally repeated by different characters in contrary situations all establish the wistful, poetical tone — through which Novinski and his perfect cast navigate so brilliantly.” — Steven Leigh Morris
Backstage West Raves! “[Greig] builds this play much like a composer builds a chord, each new note resonating with the note before while adding a new shade of color, until the final effect is a stunningly unified whole. Director Stefan Novinski’s intriguing vision of the play is brought to life here by a uniformly stellar and brilliantly cast ensemble.” — Laura Weinert
curtainup.com: “the message flows under the fluid direction of Stefan Novinski. . . . The ensemble aptly renders portraits of these lonely people, giving them dignity even when they are ridiculous or repugnant.” — Jana J. Monji
Scottish playwright David Greig’s mesmerizing tone poem on the limits of communication traces a web that connects such diverse characters as a Scottish civil servant and his wife, a Norwegian diplomat, a Russian exotic dancer, a French UFO researcher and a pregnant detective, to two cosmonauts orbiting endlessly above them.
Open Fist Theater,
1625 N. La Brea Ave. Hlywd.
Fri.-Sat., 8 p.m.; Sun., 7 p.m.; thru Nov. 22. (323) 882-6912.
L.A. Weekly Award – Best Production of 2003
L.A. Weekly Award – Best Director, Stefan Novinski
L.A. Weekly Award – Best Production Design
L.A. Weekly Nomination – Ensemble
L.A. Weekly Nomination – Lighting Design. Dan Reed